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2023 EP from the veteran Pop Punk band.
Yellowcard - Childhood Eyes EP
$7.99
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Sigur Ros

Atta

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Following it’s surprise digital release, Sigur Rós’ first new studio album in ten years, ÁTTA, is their most intimate and emotionally direct record to date. Few bands cut through the noise and distractions of the world to bring you a pure elemental truth or feeling like Sigur Rós. As you hear on ÁTTA, there’s a new compulsion and drive to the band that comes with the new formation of the line up. Multi-instrumentalist Kjartan Sveinsson is back in the fold – having left the band in 2012 – to join frontman Jónsi and bassist Georg Holm. Recorded across multiple continents - in the band’s Sundlaugin studio in Iceland, the legendary Abbey Road in the UK and a number of studios in the US - ÁTTA leans heavily towards the orchestral, and touches on everything that has made Sigur Rós one of the most ambitious and acclaimed bands of recent times, with close to ten million albums sold, whilst signposting an exciting and expansive possibility for their future. ÁTTA prominently features the London Contemporary Orchestra conducted by Robert Ames, alongside brass performed by longtime Icelandic collaborators Brassgat í bala. It is mixed and co-produced by another frequent collaborator Paul Corley, alongside the band."

Sigur Ros - Atta
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On Jeff Rosenstock's new album, HELLMODE, the spontaneous DIY trailblazer returns with the most confident & cohesive album of his career. Recorded at EastWest Studios with Grammy nominated engineer Jack Shirley (Deafheaven, Joyce Manor) and captured live to tape in the same room where albums like Everybody Knows This Is Nowhere and Toxicity were recorded, HELLMODE finds Rosenstock holding nothing back. The studio's infamous natural tones are juxtaposed with echo chambers used on Pet Sounds, calling to mind the mixture of despair and clear-eyed hope heard throughout the record. The album features massive pop gems like "FUTURE IS DUMB," "DOUBT," and "LIKED U BETTER," as well as softer songs such as "HEALMODE," showcasing an intimate, immediate sound. Rosenstock has built his career on an uncompromising commitment to stay true to his beliefs. He's toured the globe countless times and played to thousands of dedicated fans. In addition to the vast critical acclaim he's received from places like Pitchfork, The NY Times, NPR and others, Jeff's work can be heard scoring the Cartoon Network series Craig of the Creek, which was nominated for multiple awards, including 2 Emmys. He's performed on Late Night with Seth Meyers & The Chris Gethard Show as well as numerous music festivals across the world, including Pitchfork Music Festival, Noise Pop, Riot Fest, and more. HELLMODE is yet another exciting glimpse into Rosenstock's powerful and emotionally resonant music, making him one of the most mesmerizing songwriters of the last decade.
Jeff Rosenstock - Hellmode
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Los Angeles psych-punk quartet Frankie and the Witch Fingers have returned with their seventh studio album Data Doom, due September 1 via The Reverberation Appreciation Society / Greenway Records. To ring in the announcement, the band has shared album highlight “Mild Davis” with a mind-bending animated music video. Inspired by Miles Davis’ early-70s electric work, the track’s dizzying 7/4 meter winds through chunky riffs, commanding vocals and proggy synths before crash-landing in a minefield of angular guitar harmonies. 
The brew has boiled over lately, a pressure-cooked chaos that can no longer be contained. The growl has grown to a howl.. the howl is at the door. Few are as ready to meet the madness head on as Frankie and the Witch Fingers. On the upcoming Data Doom the band hurtles the listener head first into the wood-chipper of technological dystopia, systemic rot, creeping fascism, the military-industrial profit mill, and a near-constant erosion of humanity that peels away the soul bit by bit. With a fuse lit by these modern-day monstrosities the band seeks to find salvation through a thousand watt wake-up of rock n’ roll exfoliation.
Frankie and the Witch Fingers - Data Doom
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Royal Blood ignite an epic summer ahead as they announce the September 1st release of their fourth album ‘Back To The Water Below’.

From the very beginning, Royal Blood’s story has been one of two life-long friends whose shared passion and dedication for writing and performing has led them on a remarkable adventure together – a story that has yet to be repeated, and is a feat as rare as it is remarkable. Long before Royal Blood were even formed, they spent years together in various bands playing to half empty bars around Brighton - and only then did they suddenly become a decade-in-the-making overnight success story. One day they were plotting how to recoup the meagre £300 they had spent on their first recording, but within a year they were at the top of UK album charts, storming Glastonbury and winning the BRIT Award for Best British Group.

Royal Blood - Back To The Water Below
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If Islands' last record, (2021's Islomania) was a Saturday Night Fever dream, then the follow up-- 2023's And That's Why Dolphins Lost Their Legs--is the Sunday Morning comedown. Taking a giant leap forward, replete with addictive hooks at every turn, Dolphins (the 9th record in the catalogue), stands out as the strongest and most articulate Islands record yet. Nick Thorburn and crew manage to tap into both the pain and the joy of living, (sometimes within the very same breath), while musically stripping things down to their simplest element: a bouncing bassline, a snappy kick and snare, or a persistent, hooky guitar line. Though Dolphins is arguably their biggest musical departure (which is saying something, coming from a band that has constantly reinvented their sound from album to album), the DNA of Thorburn's first band The Unicorns can clearly be heard throughout songs like "Headlines", "Life's A Joke" and "And All You Can Do is Laugh". Dolphins, which came together over a methodical, carefully considered multi-year process, continues Thorburn's fruitful collaboration with co-producer Patrick Ford (!!!), and features production on a few songs from Chris Coady (Beach House) and Mike Stroud (Ratatat).
Islands - And That's Why Dolphins Lost Their Legs
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Since moving to Nashville to start their music career in 2012, Becca Mancari has been lauded fortheir dextrous songwriting and prodigious guitar playing. Their sophomore album The GreatestPart, released in 2020, was an indie rock opus that garnered acclaim from The New York Times,NPR, and more. After it's release, however, Mancari was despairing. An illness in their family,coupled with a realization that their alcohol dependency had become untenable, led Mancari tobegin the hard work of taking ownership of their existence by mending broken relationships andinvesting in their mental health. "I didn't realize it then, but looking back, I was a passenger inmy own life," Mancari says. The transformative period of self-reckoning was the catalyst thatultimately steered Mancari to write and produce their triumphant new album, Left Hand.While Left Hand came out of a dark period in Mancari's life, the album is anything but. Wide-open and welcoming, the music beckons all listeners, encouraging community among strangers.On the album, Mancari asserts a radical self-acceptance. The propulsive track "It's Too Late"binds this new album to the hypnotic rhythms of The Greatest Part, and while the lyricschronicle personal tragedy ("I almost drove off the road that night/ Did you know I almost did itso many times?") the bass-driven groove is undeniable, luring us deeper into the album. The boldadmission is but one example of the intimacy experienced throughout the record, suggesting thatmusic, too, has been a part of their growth and healing expedition.
Becca Mancari - Left Hand
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Cindy Wilson has always been on the forefront of music’s cutting-edge: As a founding member of The B-52's, she was a pioneer of the New Wave sound that redefined music in the 1970s and ‘80s. Cindy is known for her distinctly melodic voice and her remarkable ability to deliver powerful emotions in her music. She has made a fresh name for herself that extends beyond her band’s legacy, establishing herself as a singular force in her own right. Nowhere is this more readily apparent than on Realms, Wilson’s spirited sophomore studio album and her most ambitious effort to date. Once again working with Suny Lyons (with Sterling Campbell contributing drums and Maria Kindt on strings), Wilson invites her audience on an immersive, enchanting ten-track journey that peels back the layers of our common humanity. Realms demands our undivided attention as Wilson takes us on a kaleidoscopic journey through our own minds and souls. Through a series of colorful, dramatic outpourings and dynamic, finessed upheavals, it’s a carefully crafted record proving beyond a shadow of a doubt that Cindy Wilson continues to have her fingers on the pulse of modern music. Pop in style and indie at heart, Realms is the next new wave of Wilson’s already storied legacy.
Cindy Wilson - Realms
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In July of 2022, just one month before jaimie branch’s death sent shockwaves around the world, the trumpet player and composer was in Chicago at International Anthem (IARC) studios putting finishing touches on an album. It was a suite of music she had composed and then recorded with her flagship ensemble, Fly or Die, over the course of a residency at the Bemis Center for Contemporary Arts in Omaha, Nebraska. In her wake, the album was near complete, with only mixing tweaks, final titles, and artwork to be fully realized. In the months following, her family (led by sister Kate Branch), her band (Jason Ajemian, Lester St. Louis, and Chad Taylor), and her collaborators at IARC (engineers Dave Vettraino and David Allen, comrades Alejandro Ayala and Scott McNiece) banded together to gather memories, texts, emails, photographs, artwork and fragments belonging to jaimie to light the path forward. The goal was always to do what jaimie would have done. Packaged in stunning artwork by John Herndon, Damon Locks, and branch herself, Fly or Die Fly or Die Fly or Die ((world war)) is jaimie’s final album with the quartet.
Jaimie Branch - Fly or Die Fly or Die Fly or Die ((world war))
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Be Your Own Pet

Mommy

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The Nashville, Tennessee, garage rock group were signed as teenagers to the prestigious XL in the UK and Thurston Moore's Ecstatic Peace label in the US, with whom they released two widely acclaimed albums. They went on to tour with the likes of Arctic Monkeys, Sonic Youth, Le Tigre etc and have been cited as influences for groups such as Paramore and Big Joanie.

Be Your Own Pet - Mommy
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One of America’s most beloved independent bands, Turnpike Troubadours will release their highly anticipated new album, A Cat in the Rain, August 25 via Bossier City Records/Thirty Tigers (pre-order/pre-save here). Ahead of the release, comes the new song, “Mean Old Sun,” alongside an official music video. Watch the video, directed by Sterlin Harjo and filmed at Tulsa’s Cain’s Ballroom, at the top of this page.

In conjunction with the new music, the band recently spoke with Rolling Stone, who declares, “he [lead singer Evan Felker] is more focused and lyrically crisp than at any point in his life. He’s a poet, but he’s direct.”

Produced by Shooter Jennings and recorded at Muscle Shoals’ Fame Recording Studios and Dave’s Room in Los Angeles, A Cat in the Rain marks a long-awaited return for the band following their self-imposed hiatus in 2019. With these ten new songs, Turnpike Troubadours is back with a refreshed perspective on the authentic songwriting and signature foot-stomping sound that first captivated their deeply devoted fanbase.

Pioneers of the Red Dirt music scene, Turnpike Troubadours has amassed a massive following throughout their career with over 1.28 million equivalent units sold to-date. Originally from Tahlequah, OK, Turnpike Troubadours is Evan Felker (vocals, guitar), Kyle Nix (fiddle), Ryan Engleman (electric guitar), RC Edwards (bass), Gabe Pearson (drums) and Hank Early (steel, accordion).

Known for their relentless touring and electric live shows, the band will perform through this fall including newly confirmed headline shows at New York’s Beacon Theater, Nashville’s Ryman Auditorium (two nights), Washington DC’s The Anthem, Los Angeles’ Greek Theater and Fort Worth’s Billy Bob’s (three nights) among several others. The band will also perform at select festivals this summer including Newport, RI’s Newport Folk Festival, Pryor, OK’s Born & Raised Festival, Memphis, TN’s Mempho Music Festival and Charleston’s Riverfront Revival Music Festival.

Turnpike Troubadours - A Cat In The Rain
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Spanish Love Songs

No Joy

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2023 release. Includes the single "Haunted."
Spanish Love Songs - No Joy
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As multiple Grammy-winners, Old Crow Medicine Show celebrates their 25th anniversary. Their new album, Jubilee, finds the band producing alongside Matt Ross-Spang (Jason Isbell, St. Paul & The Broken Bones). The record features a return cameo from OCMS co-founder Willie Watson as well as appearances from legend Mavis Staples and rising star Sierra Ferrell. The result encompasses everything from jug-band tunes to Irish folk songs to exultant gospel jams.
Old Crow Medicine Show - Jubilee
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Debut album WEEDKILLER is a collection of irresistible songs that perfect the bold, genre-blending sound that has defined Ashnikko’s work to date. While the acclaimed 2021 mixtape DEMIDEVIL showcased a head-on approach, directly tackling themes of sexual revolution and revenge, WEEDKILLER is more allegorical. 
 
A half-concept album set in a dystopian future, the WEEDKILLER universe that Ashnikko has created tells the story of a fae civilization occupied and destroyed by machines that feed on organic matter where the faerie protagonist seeks revenge by becoming part machine - a poetic commentary on environmental disaster and the rapid evolution of technology, while also confronting real-world issues from sexual empowerment to tech warfare and ecological collapse. Full of equal parts naked vulnerability and joyful rebellion, WEEDKILLER gives a thundering voice to the oppressed.
 
Speaking on the announce, Ashnikko states "My bioluminescent heart is glowing. My post-apocalyptic fae world is here for you to journey into. My wings have been ripped out, but I’ve built them anew using WEEDKILLER machine parts. I am the one sent here to eliminate you, WEEDKILLER.”

Ashnikko - WEEDKILLER
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Cuban pianist & composer Harold López-Nussa has been steadily building a global following over the past two decades since winning the prestigious Montreux Jazz Piano Competition in 2005. • His Blue Note debut Timba a la Americana is a vibrant album teeming with joy & pathos that was inspired by the pianist’s recent decision to leave his Cuban homeland and begin a new life in France. His most expansive and ambitious work to date, the colorful song cycle amounts to a top-to-bottom modernization of Latin jazz. • Produced by Michael League (Snarky Puppy), the album presents 10 dynamic new compositions & features the harmonica virtuoso Grégoire Maret, Luques Curtis on bass, Bárbaro “Machito” Crespo on congas & Harold’s brother Ruy Adrián López-Nussa on drums.
Harold Lopez-Nussa - Timba a la Americana
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The 10th album for British hard-rock band Asking Alexandria, releasing in their 15th year as a band. A retrospective project of sorts that saw band members re-visit their previous releases and draw inspriation from their most popular and successful songs from their discography. Fans will be ecstatic to hear that "Where Do We Go From Here?" features some of the hardest, loudest new music that Asking Alexandria has released in recent memory. The campaign for this album release will see three tracks released in advance to build awareness and momentum during UK, European, and USA touring. The first radio track "Psycho" services in June to radio stations around the world. With over 2M Spotify followers, 6 Billboard 200 charting albums (3 appearing in the top 10) and recent success at radio ("Alone Again" was the band's first #1 Rock Radio single) have primed the band for another successful campaign in 2023 with "Where Do We Go From Here?".
Asking Alexandria - Where Do We Go From Here?
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Fiddlehead's third album Death is Nothing to Us is a defiant, new chapter for the band. Since 2014, the Boston-based group have been honing their unique sound, bringing together the energy of hardcore, the anthemic melodies of '90s alternative, and the unbridled passion of Revolution Summer era emo. Their previous albums, 2018's Springtime and Blind and 2021's Between The Richness, dealt heavily with grief from different perspectives, and now their latest feels like a de facto culmination, drawing together many of the catalog's through-lines sonically and lyrically. The band again teamed with producer Chris Teti for their third record, and his punchy production captures Fiddlehead's live energy while showcasing the massive guitars and undeniable catchiness that makes their music so immensely satisfying. The album's concise 27 minutes sound like a natural extension of all of the band's strengths, but is glued together by vocalist Pat Flynn's singular tuneful roar. Flynn, since his time as the vocalist of Have Heart and now as Fiddlehead's frontman, has earned a reputation as one of hardcore's most thoughtful lyricists. He interweaves his ruminations on life, death, and all the joy and tragedy in between with references to Roman philosopher Lucretius; the author Jean Améry; other musicians like Bad Brains, Alex G, or Wire, and even references to the band's own back catalog. The humanity across Death Is Nothing To Us is palpable in every note. It's the kind of art that observes pain with real honesty rather than prescribing a solution for it-and in doing so, inadvertently offers some sense of hopefulness. The album finds Fiddlehead so deeply delving into the pain, confusion, nuances, and contradictions of sadness-so willingly wrapping their arms around a concept as existentially baffling as death itself-that they've created an album that is truly life-affirming. Death is Nothing to Us exemplifies so much of what makes Fiddlehead a special band: taking these heady, unanswerable questions and wrestling with them in a very earthbound way, all wrapped up in the urgent power of a three minute punk song.
Fiddlehead - Death Is Nothing To Us
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Bewilderment - the feeling of being perplexed and confused - is the inspiration behind Pale Jay's new album. It's a soulful exploration of a family's gradual disintegration due to years of avoidance and miscommunication. During this difficult time, Pale Jay began to question the stories he had always lived with and re-examined his identity. The resulting work, Bewilderment, is his first full-length album, which strives to find answers to these questions and more. The album is set to release on 8/18/2023 on Karma Chief Records, a subsidiary of Colemine.Pale Jay is a trained jazz vocalist and pianist, and he wrote, recorded, and produced all songs on the album, except for 'By The Lake', which is a collaboration with labelmates Okonski - Steve Okonski, Aaron Frazer, and Michael Montgomery. Pale Jay's music is influenced by a wide range of songwriters, including Labi Siffre, Carole King, and William Onyeabor. 'Bewilderment' is a seamless blend of Pale Jay's trademark dusty soul, slow disco, and Afrobeat, with string arrangements by Raven Bush adding an extra layer of magic to the beat- heavy productions.Pale Jay's debut LP is a captivating journey of self-discovery. Each song on Bewilderment tells a unique story, but they all share a common theme of personal growth and self-understanding. Grab a copy on 8/18/2023 to dive in and experience the new album.
Pale Jay - Bewilderment
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Shamir's art is a synthesis of the full spectrum of human emotion; sensual, furious, yearning, joyful and yet tethered together by a very distinct style (similarly to the greats such as Miss Nina Simone, Prince, and Taylor Swift). Shamir’s music is based almost entirely in a hyper-specific, fully autonomous, embodied expression of personhood. On his forthcoming album, Homo Anxietatem, Shamir takes the Latin translation of the title, “anxious man”, and transmutes his anxiety to pop songs. The creation process serves as a balm or elixir, converting internal anxieties to an 11-track sonic playground.
Shamir - Homo Anxietatem
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Unreal Unearth is the highly anticipated new album from Grammy nominated Irish singer-songwriter, Hozier. This 16 track collection has production credits for Hozier, as well as Jeff "Gitty" Gitelman, Jennifer Decilveo, and Bekon. Hozier burst onto the global music scene in 2013 with his hit single "Take Me To Church," now RIAA certified DIAMOND, with over 13 million in combined sales and streaming volume. Hozier, his self titled debut album from 2014 is RIAA certified 3x PLATINUM, and the 2019 follow up album Wasteland Baby! Is RIAA certified GOLD. Hozier has toured globally, and played numerous festivals including Coachella, Glastonbury, Bannaroo, ACL, and more. #four panel soft pak, with 20 page insert booklet
Hozier - Unreal Unearth
$11.99
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"Death has been an up close and personal part of my life since I was a young child. When I began writing Ghost at the Gallows, the specter of death hung as constant as ever. This album navigates a world where ghosts are real, and they haunt us in the form of grief, trauma, and loss. Despite the subject matter, the songs aren’t just downtrodden dirges. The music is diverse and dynamic, ranging from mournful, southern-tinged acoustic passages all the way to aggressive speed metal assaults… and everything in between. And like every entry in the Spirit Adrift catalog, the deepest aim of the lyrics is to find good in the bad, strength in weakness, and hope in darkness. It wasn’t until I finished the record that I realized all the stages of grief are present on this album. Maybe these songs were my subconscious attempt at facilitating my own grieving process. Either way, this record helps me, and I hope it helps whoever else needs it." - Nate Garrett

Spirit Adrift - Ghost At The Gallows
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This summer, Bobby Rush returns with his 29th studio album All My Love For You. Steeped in his signature blues, southern soul, and funk-blues, Rush blends vivid storytelling about his  life with comical metaphors about love and relationships. Across the album’s ten tracks, Rush puts the breadth of his songwriting capabilities on display and proclaims "I've got the shackles off my feet, chains off my mind” on the album opener "I'm Free” and "I'm the one who put the funk in the blues” on the single "I'm the One.” On tracks like "You Gonna Need a Man Like Me" and "One Monkey Can Stop A Show,” he digs into the nuance of love and relationships. After earning his second GRAMMY Award for his solo acoustic blues album Rawer than Raw in 2021, he leans into the soul and funky southern blues that he's known for.

Bobby Rush - All My Love For You
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Renee Rapp

Snow Angel

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Reneé Rapp’s debut album Snow Angel kicks off her new era of music by putting her heart on full display as she continues to round out her already multidimensional artistry. Executive produced by Alexander 23, the album captures Rapp’s ability to unabashedly speak her truth, whether it’s through emotional ballads or pop hits. In just a year, Reneé has already sold out shows nationwide while netting hundreds of millions of streams, making Snow Angel one of the most anticipated albums of the year.

Renee Rapp - Snow Angel
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Movements

RUCKUS!

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Since No Good Left to Give debuted at #3 on the Alternative chart in 2020, their streams have doubled with over 200M total streams in the US alone. The band’s third full-length RUCKUS! sees the quartet taking their sound to expansive and sometimes unexpected places. Produced by longtime collaborator Will Yip (Turnstile), the album fuses post-hardcore and punk influences with a healthy dose of pop song-craft to create an album that defies scene conventions in favor of something wholly unique.

Movements - RUCKUS!
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"World Music Radio is the new musical transmission from GRAMMY® and Oscar® winner Jon Batiste, following his acclaimed hit record WE ARE.

This concept album stars Batiste as interstellar traveling griot/DJ Billy Bob Bo Bob who examines popular music from around the globe on a radio broadcast to the rest of the universe - begging the question, isn’t all music, world music?

World Music Radio sees Batiste reach new artistic heights with collaborators Jon Bellion, J.I.D, Camilo, NewJeans and others."

Jon Batiste - World Music Radio
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Produced by Glaspy with co-production from her partner, guitarist/composer Julian Lage, Echo The Diamond expands on the frenetic vitality of her debut Emotions and Math (2016) — which The New Yorker hailed as an album “in which pretty songs often turn prickly, enriched by carefully measured infusions of dissonance and grit.” This time around, Glaspy worked with drummer/percussionist David King of The Bad Plus and bassist Chris Morrissey (Andrew Bird/Lucius) recording at Reservoir Studios in NYC

Margaret Glaspy - Echo The Diamond
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NCT DREAM The 3rd album ‘ISTJ' includes 10 songs of various genres, and seeing the light of day after a year and two months, will charm their fans all over the world with its more than ever mature and refreshing vibe that is well-suited for the summer.
Contents of the album include a Booklet (Random out of Introvert / Extrovert ver.), CD, Printed Photo (Introvert ver.) or Polaroid Card (Extrovert ver.) (Random out of 7 each), Folded poster, Photocard (random out of 7), and Special poster.
This version contains an additional US-exclusive Postcard (Matching cover).

NCT Dream - The 3rd Album 'ISTJ' [Photobook ver.]
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You’re The One is singer/songwriter/multi-instrumentalist, Rhiannon Giddens’ 5th album and first full band release in over 6 years.  The album, which is her first album of all original songs (all written or co-written by Giddens), was produced by Jack Splash (St. Paul and the Broken Bones, Valerie June, Solange) and features guest appearances from Jason Isbell, Leyla McCalla, and Eryn Allen Kane.

Over the course of her career, Rhiannon Giddens has established herself as one of the most important artists in the world.  Her mission has been to lift up people whose contributions to American musical history have previously been erased, and to work toward a more accurate understanding of the country’s musical origins.  That work has led to massive press recognition and multiple GRAMMY wins; a McArthur “Genius” grant, hosting various podcasts and tv shows, amongst countless other initiatives

Rhiannon Giddens - You’re The One
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Gregory Alan Isakov wanted to pare it all back on Appaloosa Bones, the Colorado-based singer's new album. Arrangement-wise, the impulse to keep things simple was a pendulum swing away from his Grammy-nominated 2018 album, Evening Machines. "I set out to make a record that was really bare bones," Isakov says. "I wanted to go backward a little bit, because Evening Machines was such a deep dive into arrangements. I wanted to have more of a raw experience with this one."Isakov played many of the instruments on Appaloosa Bones himself. He recorded in a studio tucked away in a barn on his property outside of Boulder, Colorado, where he helps grow produce for CSA members, local restaurants, and an area food bank. The resulting album is intimate and hushed, but maybe not as spare as what Isakov initially had in mind. The eleven songs on the album are full of lush vocal harmonies and layers of instrumental textures that blend guitar, banjo, piano, and various other keyboards.
Gregory Alan Isakov - Appaloosa Bones
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Cautious Clay

Karpeh

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On Cautious Clay’s deeply personal Blue Note debut KARPEH, the singer, songwriter, multi-instrumentalist and producer takes an artistic leap forward with an ambitious yet introspective album about growth, conceptions of intimacy and lineage that reveals a new side of his artistry by delving deeper than ever into his jazz influences. Across the album’s 15 tracks, Cautious is heard on vocals, flute, tenor saxophone, soprano saxophone, bass clarinet, guitar, synthesizer and bass.

Cautious Clay - Karpeh
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Mañana Será Bonito (Spanish for Tomorrow Will Be Pretty) is the fourth studio album by Colombian singer Karol G.
Karol G - MAÑANA SERÁ BONITO: BICHOTA SEASON
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Undisputed icons of rock and roll The Hives are back, channelling the electrifying energy of the group's greatest hits with their first new album in over 10 years. Their colossal new album, The Death Of Randy Fitzsimmons, reignites the band's lore in arresting fashion, exploring the disappearance of the band's mysterious sixth member Randy Fitzsimmons even leading them to dig up his grave. What they found inside the casket is what you can now hear on record. Go fetch!
The Hives - The Death Of Randy Fitzsimmons
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Public Image Ltd. (PiL) announce their 11th studio album and first album in 8 years, End of World. The band began writing and recording End of World in 2018, during their 40th anniversary tour. After The Great Pause, the band regrouped in the studio and “there was just this massive explosion of ideas,” Lydon says. The result finds PiL set to release 13 of the best tracks they have ever written.

Earlier this year, PiL released Hawaii, the most personal piece of songwriting and accompanying artwork that John Lydon has ever shared. The song is a love letter to John's wife of nearly 5 decades, Nora, who is living with Alzheimer’s. A pensive, personal yet universal love song that has resonated with many since its release in January, the song sees John reflecting on their lifetime well spent and in particular one of their happiest moments together in Hawaii. Celebrating their 40-year anniversary in 2018, the band is widely regarded as one of the most innovative and influential bands of all time. PiL’s music and vision has earned them 5 UK Top 20 singles and 5 UK Top 20 albums. With a shifting line-up and unique sound - fusing rock, dance, folk, pop and dub – Lydon guided the band from their debut album First Issue in 1978 through to 1992’s That What Is Not, before a 17 year hiatus. Lydon reactivated PiL in 2009, touring extensively worldwide and releasing two critically acclaimed albums This is PiL in 2012 followed by their 10th studio album What The World Needs Now… in 2015, which peaked at number 29 in the official UK album charts and picked up fantastic acclaim from both press and public.

Public Image Ltd. - End Of World
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Hailing from Los Angeles with an arsenal of songs as varied as the American landscape itself, PJ Western creates music of contradictions. His tripped out pop-rock psychedelia evokes a haze of 60’s AM radio as heard emanating from someone else’s car window. Here I Go, Western’s debut album, recorded during the lockdown we all endured, was written in dreams. In visions. Wild but refined, classic but modern. The album is a lot like the man who wrote it: complex, celebratory, grateful. Recorded in LA with the help of some of the finest musicians the city has to offer, Here I Go offers a perspective of the city as heard through the ears of a precocious outsider – someone who may call the city home, but also can’t quite shake the suspicion he might not belong in the Hollywood Hills surrounding him.

PJ Western - Here I Go
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Ryan Bingham's 2023 EP "Watch Out For The Wolf" finds the Grammy award-winning artist crafting his most raw and intimate work to date. Written and recorded by Bingham in the wilderness of Montana, the haunting and evocative collection of songs seamlessly intertwine to capture a moment suspended in time, filtered through the stillness and echoes of the desolate surroundings in which they were created. Guided by his signature poetic lyricism and soulful delivery, "Watch Out for The Wolf" is the first project produced, performed, and mixed entirely by Bingham - carving a distinctive space in the singer-songwriter's ever-evolving catalog.
Ryan Bingham - Watch Out for the Wolf
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