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Marvel Studios presents "WandaVision," a blend of classic television and the Marvel Cinematic Universe in which Wanda Maximoff (Elizabeth Olsen) and Vision (Paul Bettany) two super-powered beings living idealized suburban lives begin to suspect that everything is not as it seems. The new series is directed by Matt Shakman; Jac Schaeffer is head writer.

To celebrate the 30th anniversary of Snoop Dogg's multi- platinum Doggystyle, heralded as one of the most important albums of all time, Death Row Records will be bringing this back to retail with the original 1993 track listing on vinyl. This new 30th Anniversary edition will include the track "Gz Up, Hoes Down" which has not been on the album since its pressing in 1993. For new and old fans alike, this is the definitive version of the classic album that launched Snoop's solo career and helped define the sound of Los Angeles in the process.

10th anniversary deluxe edition of Mac Miller's second studio album Watching Movies with the Sound Off on heavyweight galaxy vinyl. Includes a bonus 10" zoetrope picture disc with bonus track "The Star Room (OG Version)" and a never before released vinyl exclusive track "The Quest."

Busta Rhymes returns with his eleventh studio release executive produced by Pharrell Williams, Timbaland, Swizz, along with Busta himself.  The new album contains lead off singles “Beach Ball” featuring BIA, “Luxury Lifestyle” featuring Coi Leray, and “OK” featuring Young Thug along with a host of other features.

Legendary hip hop pioneer DJ Muggs and frequent David Lynch collaborator Dean Hurley join forces for the original score to the 2023 Sundance-premiering feature film Divinity. Equal parts sonically punishing and ethereal, the soundtrack delivers a unique punch that further intensifies the mind-bending, acid-trip experience of the film.

Divinity is a sci-fi dystopian odyssey produced by Steven Soderbergh and helmed by visionary director Eddie Alcazar. Set in the distant future, scientist Sterling Pierce dedicated his life to the quest for immortality, slowly making progress developing a serum named Divinity. Jaxxon Pierce, his son, now controls and profits from his father’s once benevolent dream. Society on their barren planet has been entirely perverted by the supremacy and pervasiveness of the drug. Two mysterious brothers arrive with a plan to abduct the mogul, and with the help of a woman named Nikita, they set on a trajectory hurtling toward true immortality.

Amidst the film’s extraordinary tapestry of stark aesthetics and themes, the score is a ten ton barbell of sonic weight. Crafted with 8-bit samplers, Wavestation synths, extended choir and string techniques, the soundtrack manages to swing wildly between the arenas of both music and sound design. Like all rich soundtracks, listening to the score on its own re-conjures the imagery of the film in the screen of the listener’s mind, an aural experience that manages to encapsulate and pulse a matched intensity of the film.

Tracks like ‘The Brothers’ and ‘Reflective Dreams’ cascade Vangelis-esque tones, painting with broad strokes of cinematic grandeur and ethereal wonder. ‘Main Titles’ and ‘InfinityTechno’ conversely swing hard into relentless, punishing sonics; with brutal, pulsing energy representative of the twisted, relentless pursuit of immortality. A standout of the album is undoubtedly “Divinity 2 Infinity: The Odyssey,” featuring cult hip-hop hero and lyrical-savant Kool Keith. Written for the film’s end credits, the track is a satisfying throwback to the 90’s original soundtrack cut bespoke-tailored to the film’s narrative themes.

DJ Muggs and Dean Hurley’s synergy yields a soundtrack that takes Divinity beyond the screen and into a multi-dimensional experience, inviting its listener along uncharted aural terrain for an unforgettable odyssey in sound.

Renowned musician and producer Joe Jackson unveils his latest artistic endeavour 'What A Racket!' – a new album reviving the songs of enigmatic early 20^th-century English Music Hall artist Max Champion.

Music Hall (along with its American cousin, Vaudeville) was the first form of mass entertainment created by the working classes. Its raw beginnings were in the pubs and streets of mid-19^th century London, and while never really considered ‘respectable’, it was, by 1900, performed in opulent theatres to huge audiences drawn from all walks of life. Prostitutes and princes alike sang along with superstar performers, many of whom are now legendary, and whose songs are still known in the UK.

Those songs, depicting everyday life in the Victorian and Edwardian eras, were most often humorous or satirical, though some were sentimental or patriotic, and others dealt with darker themes such as jealousy and murder. Many were also blatantly sexual, though always expressed in clever euphemisms and double entendres.

One of the most fascinating of the later Music Hall performers was Max Champion. Little is known about him, except that he was born in 1882 in London’s East End, and is thought to have been related to the great Victorian entertainer Harry Champion. As an up-and-coming performer he shared the stage with big stars such as Gus Ellen and Vesta Tilley, but his career (much like the Music Hall era itself) was cut short by the First World War, and his songs faded into obscurity. That is, until 2014, when Max Championsheet music started to surface: first in Malta, then in England, and, intriguingly, in Belgium, where Max probably met his end in the trenches. By 2019, enough songs had been recovered for Joe Jackson to resurrect them with a 12-piece orchestra.

'What A Racket!' presents eleven of Max Champion’s songs for the first time in more than a century. According to producer Joe Jackson, ‘These were wonderful songs in their time, but they’re surprisingly modern, too. Sometimes it’s almost as if Max is speaking, from his London of the early 20^th century, directly to us in the early 21^st.’

Members from The Offspring, Smash Mouth, The Mighty Mighty Bosstones, Street Dogs and The Briggs have united to form the new band THE DEFIANT! The members of The Defiant are no strangers to success as individuals but as a group their music stands for so much more on both a personal and professional level. Together the five members create a rock ’n’ roll pedigree that culminates into a riot of melodic punk. The Defiant will release their twelve-song debut album this October with touring to follow. The Defiant is: Pete Parada on drums (The Offspring), Greg Camp on guitar (Smash Mouth), Johnny Rioux on bass (Street Dogs), Joey LaRocca on guitar and keys (The Briggs) Dicky Barrett front and center (The Mighty Mighty Bosstones)

The surprise companion to The National’s April release First Two Pages of Frankenstein, Laugh Track is the band’s most freewheeling, all-hands-on-deck album in years. If Frankenstein represented a rebuilding of trust between group members after 20+ years together, the vibrant, exploratory Laugh Track is both the product of that faith and a new statement of intent. Reveling in the license to radically upend its creative process, The National honed most of this material in live performances on tour, and captured those invigorated versions in impromptu sessions at producer Tucker Martine’s Portland studio. Two nights later in Vancouver, the nearly eight-minute album closer “Smoke Detector” was recorded during soundcheck, completing a body of work bristling with spontaneity and vintage rock energy that makes a perfect complement to the songs found on its more introspective predecessor.

Limited edition on glacial blue vinyl. Iron & Wine's Who Can See Forever is an accompanying live record to the film of the same name. Captured at Haw River Ballroom in Saxapahaw, North Carolina, the soundtrack features nineteen songs from the twenty plus year career of singer-songwriter Sam Beam. Having found inventive ways to re-invent his catalog live over the years, Who Can See Forever offers new and fresh versions of Iron & Wine songs including "The Trapeze Swinger", "Boy With a Coin" and "Naked As We Came." The film - initially intended as a live concert film - evolved into a visual portrait capturing Beam during a creative outburst that earned him four Grammy nominations in four years. Like his music, the film touches on universally personal themes as Beam juggles being an artist, husband and father. Taken as one, the soundtrack and film are a fascinating first-time glimpse behind-the-scenes of Iron & Wine.

Global superstar Post Malone holds the record for most RIAA Diamond certified singles in history. The Diamond Collection is a compilation of his top hits to date, including “Congratulations (feat. Quavo),” “Sunflower” with Swae Lee, “White Iverson,” and more. The physical release includes the Diamond certified hits as well as additional tracks.

Global icon and recent Rock & Roll Hall of Fame inductee, Dolly Parton, has joined forces with some of rock music’s most legendary artists along with today’s biggest stars for her first-ever rock album, Rockstar. The ever-evolving Parton teamed up with an all-star roster of musicians for the 30-song collection which includes 9 original tracks and 21 covers of iconic rock anthems.

Over-Nite Sensation turns 50 years old. To celebrate this iconic album, we present a 4CD + 1 Blu-ray Audio Super Deluxe showcasing 88 total tracks with 57 unreleased tracks & mixes. Featuring the 2012 remaster of the original album by Bob Ludwig along with additional masters, highlights and mix outtakes from the original 1973 sessions mastered by John Polito. Also included are live recordings from 1973 showcasing the same band that recorded the album, one from the Hollywood Palladium in Los Angeles and the other recorded at Cobo Hall in Detroit. The Blu-ray contains the album newly re-mixed in Dolby Atmos and 5.1 surround by Karma Auger and Erich Gobel at Studio1LA, Zappa’s original 4-channel Quadraphonic mix (available for the first time since 1973), and the Hi-Res stereo 2012 remaster at 192K24B and 96K24B. The package features unseen photos from the album cover shoot along with liner notes and essays by Mark Smotroff and Vaultmeister Joe Travers.

ColleGrove was the "gumbo” or “jambalaya" of two of the most prominent and influential names in hip hop, 2 Chainz and Lil Wayne. 2 Chainz hailing from College Park, Georgia, and Lil Wayne from Hollygrove, a neighborhood in New Orleans, Louisiana, the two combined their hometown roots to create the title, ColleGrove. Released in 2016, ColleGrove has racked up 2.8 billion global streams to date, honoring a musical friendship that has sustained two decades. After much anticipation and almost 8 years later, fans will finally be able to enjoy the powerful duo's follow up album, Welcome 2 Collegrove. The upcoming project is not only a perfect merge of 2 Chainz and Lil Wayne, but it also features some of the best icons in music today, including Usher, 21 Savage, Rick Ross, Fabulous, Benny the Butcher and more. Welcome 2 Collegrove is the next installment of this powerful duo looking to serve up real raps, cultural flair and authentic brotherhood.

Keith Urban #1’s CD includes 24 #1’s Hits on 2 CD’s (all packaged in 1 jewel case) from his entire catalog of albums.  The album spans from Keith’s very first #1 song to his latest and includes duets with Miranda Lambert, Carrie Underwood, Eric Church, and Julia Michaels.  This is the ultimate Keith Urban album and a must have for all fans.  Each CD will include a limited-edition double-sided poster.

Shania Twain releases her record-breaking Greatest Hits album for the first time on 180g black vinyl! Selling over 100 million records, Shania is the best-selling female country artist ever, and this compilation showcases why. Including her iconic songs “Man! I Feel Like a Woman!”, “Any Man Of Mine,” “You’re Still The One,” and “Forever And For Always”, this updated remastered release now contains her newest hit “Giddy Up!” and fan favorite “Life’s About To Get Good.”

Following the release of the critically acclaimed Random Access Memories 10th Anniversary Edition earlier this year, this new iteration of the GRAMMY-award winning Album of the Year strips away all drum and percussive elements from the album, giving listeners the ability to dive deeper into the layers of instrumentation on each track. 2LP vinyl gatefold package with an 8 page booklet.

Toby Keith just doesn’t sing #1 hits, he also writes them, solo, hence 100% Songwriter, compilation of 13 Keith self-penned country music hits featuring 5 #1 singles: "Should’ve Been a Cowboy," "Who’s That Man," "You Shouldn’t Kiss Me Like This," "Courtesy of The Red White and Blue (The Angry American)" and "Who’s Your Daddy". During Keith's career he has achieved 42 top 10 hits, 32 No. 1s, 40 million albums sold and more than 10 billion streams.

Deafheaven’s monolithic second LP Sunbather, was not only a massive success in 2013, it created a radical shift in heavy music culture, an acceptance of the genre by previous outsiders, and a trailblazing sound that heretofore hadn’t been heard outside of learned circles. It was a reville introducing the changing of the guard in metal, featuring phenomenal reviews across the board, and breaking the mold used by buttoned-up indie types and false-flag musical dilettantes intent on keeping the status quo. A maverick release in every facet, the cornerstone for the triumph that is Sunbather truly lies in its world class songwriting. From the opening anthem “Dream House,'' it's clear to see that Deafheaven was soaring triumphantly into the unknown, through the emotional highs and lows, the fire and rain, and onto the unseen road ahead. Lyrically, Sunbather examines themes of existentialism, diving headfirst into the abyss, and the pursuit of self-discovery. The album's title itself is similar in scope, representing the embrace of the light and movement out of the dark unknown. Sunbather takes influence from the majesty of early Emperor and underground US heroes Weakling, the dark beauty of France’s Alcest, the introspective nature of post-rock and shoegaze gods like Mogwai and Slowdive, as well as the DIY spirit of punk ranging from Fugazi to Man is the Bastard to create a new realm for their emotional and expansive epics. The result is the nihilism and icy darkness found in black metal melding perfectly with the pensive, ethereal nature of shoegaze and the expansive dramatics of post-rock to create a new landscape. By juxtaposing propulsive and harsh blast beats and riffs against soaring melody, Deafheaven had refocused the blind-hate nature found at the kernel of black metal into a melancholic and singular journey to explore the unknown. Considering metal’s staunchly negative relationship with the press, Deafheaven’s Sunbather was nothing less than a true triumph. An immediate success at the time of it’s release, Sunbather blasted through the glass ceiling that limited so many other heavy music bands before them. Lauded by virtually every major critical outlet, Sunbather is the picture perfect ideal of a music darling– leading to sold out shows around the globe in increasing numbers. Sunbather would eventually become a year end favorite, repeatedly named one of the best albums of 2013 and landing on top 10 lists that were previously alien to heavy music– outlets like Pitchfork, Rolling Stone, the New York Times and the like. And while the critics were dogpiling on the compliments, the conservative nature of heavy metal could not help but spin things in the opposite direction. As the saying goes, ‘the first one through the door catches all the bullets.’ “The easy answer was it was totally positive and overwhelming,” says founding guitarist Kerry McCoy with a bit of a chuckle when asked about his feelings about the response to Sunbather. “But in actuality it was also kind of frustrating. We were grateful for the positive notes, but there were people who thought we were the worst thing to ever happen to metal and others who thought that we claimed to invent the genre. Neither were true.” In addition to the game-changing musical approach, the band’s aesthetics were nothing if not utterly controversial as well. Designer Nick Steinhardt’s striking cover with use of a highly stylized font and a pale pink as the chosen color is not only a masterstroke in contemporary design, it was a true middle finger to the black metal establishment– one that prided itself on a lo-fi black and white aesthetic. The bright and easily recognizable cover openly positioned the album as a true outsider unafraid to duck genre boundaries. Formed in 2010 in San Francisco, California with the core duo of George Clarke and McCoy, the pair completed their debut demo with Jack Shirley, who would eventually helm Sunbather, releasing it on limited cassette. The cassette became an underground phenomenon, leading to a record deal with Deathwish Inc who released the cassette in limited numbers on seven-inch. After recruiting a live band, the five piece recorded their debut LP Roads to Judah and embarked on a series of shorter tours to promote the release. When the time came for the follow-up, the band slimmed back down to the original duo and added drummer Daniel Tracey– creating what many believe to be one of the most important musical statements of the ‘10s. The release would be their third with Jack Shirley. “Honestly, Sunbather gave us a career,” says McCoy with candor. “Before then we were working jobs and had these grandiose dreams, but that was the record that turned us into a real band. Because of that record, we ended up meeting a lot of people around the world that changed our lives and set us on the path we’re on now.” Ten years later, Deafheaven is nothing less than a mammoth and live touring juggernaut, with fans across the far reaches of the earth and a flawless live lineup of Shiv Mehra on guitar (joined in 2013) and Chris Johnson on bass (2017) in addition to Clarke, McCoy and Tracey. One of the most important and original rock bands of the past fifteen years, the long-awaited reissue of this pivotal release celebrates its tenth anniversary with a fresh shine and coat of paint– a newly remixed and remastered sound by original producer Jack Shirley with available spacial audio, an updated look to the packaging in all formats courtesy of the album’s original designer Nick Steinhardt, and deluxe color vinyl that includes a gatefold jacket with spot UV printing and 2 full-color printed inner sleeves. Whether a newbie to this colossal record or a familiar party, the anniversary edition is a crucial addition to the collection of any erudite music fan.

Experience the captivating soundscape from one of 2023’s biggest blockbusters on the Spider-Man: Across the Spider-Verse (Original Score) vinyl. The sequel to 2019’s Oscar-award winning Spider-Man: Into the Spider-Verse broke the global box-office on release, and the critically acclaimed, viral hit-making score is now available on vinyl for the first time.

Academy Award, Golden Globe and BAFTA-nominated composer Daniel Pemberton returns to expand upon the Spider-Verse’s iconic, multi-versal soundscape with a genre-defying score that seamlessly combines a 100-piece orchestra with DJ scratching, operatic vocals, techno beats, punk rock, acid-house-inspired Indian percussion, soaring synth solos, and even…a prominently sampled goose. From the Gwen Stacy’s fan favorite motif to Spider-Man 2099’s internet-breaking theme music, the film and its intricately-woven score is sure to transport you into some wildly unexpected parallel dimensions.

This double vinyl release comes pressed on two kaleidoscopic, multiversal orange and purple marbled LPs, featuring highlights from the score hand-selected by Daniel Pemberton. The package includes a stunning soft-touch gatefold jacket with spot gloss, a double-sided collectable poster and two printed sleeves with custom art – plus, an 8-page art booklet featuring liner notes from Daniel Pemberton and art from the film.

AJR -"The Maybe Man" Republic Records; Mercury Records/Republic; Alternative EXPLICIT

Last November in London, Cat Power took the stage at Royal Albert Hall and delivered a song-for-song recreation of one of the most fabled and transformative live sets of all time. Held at the Manchester Free Trade Hall in May 1966—but long known as the “Royal Albert Hall Concert” due to a mislabeled bootleg—the original performance saw Bob Dylan switching from acoustic to electric midway through the show, drawing ire from an audience of folk purists and forever altering the course of rock-and-roll. In her own rendition of that historic night, the artist otherwise known as Chan Marshall inhabited each song with equal parts conviction and grace and a palpable sense of protectiveness, ultimately transposing the anarchic tension of Dylan’s set with a warm and luminous joy. Now captured on the live album Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert, Marshall’s spellbinding performance both lovingly honors her hero’s imprint on history and brings a stunning new vitality to many of his most revered songs.

This landmark compilation has introduced generations of fans to the incredible history of the most storied band in music. For its 50th anniversary, the collection has been expanded with 12 additional tracks, including for the first time some of George Harrison’s earliest songs and some classic Beatles versions of R&B and rock ‘n’ roll hits that were so influential on the band. The 3LP collection now contains 38 tracks, 30 of which have new mixes for 2023. The set’s 12 newly added tracks are collected on its 3rd LP. An insert contains new sleeve notes by journalist and author John Harris. For current fans and future generations alike, the new 1962 – 1966 collection is a joyous celebration of The Beatles’ timeless musical legacy.

Also Available:
1962-1966 (The Red Album): Expanded [2CD]
1962-1966 (The Red Album): Expanded [3LP]
1967-1970 (The Blue Album): Expanded [2CD]
1967-1970 (The Blue Album): Expanded [3LP]
1962-1970 (The Red and Blue Albums): Expanded [6LP Box Set]
Now and Then [Vinyl Single]

This landmark compilation has introduced generations of fans to the incredible history of the most storied band in music. For its 50th anniversary, the collection has been expanded with 9 additional tracks added chronologically, including “Blackbird”, “Glass Onion” and the new song, “Now And Then”. The last Beatles song, “Now And Then” completes John Lennon’s 1970s vocal and piano demo recording with parts played by Paul McCartney, George Harrison and Ringo Starr, as well as a new arrangement for strings. The 3LP collection now features 37 tracks, 6 of which have new mixes for 2023. The set’s 9 newly added tracks are collected on its 3rd LP. An insert contains new sleeve notes by journalist and author John Harris. For current fans and future generations alike, the new 1966 – 1970 collection is a joyous celebration of The Beatles’ timeless musical legacy.

Also Available:
1962-1966 (The Red Album): Expanded [2CD]
1962-1966 (The Red Album): Expanded [3LP]
1967-1970 (The Blue Album): Expanded [2CD]
1967-1970 (The Blue Album): Expanded [3LP]
1962-1970 (The Red and Blue Albums): Expanded [6LP Box Set]
Now and Then [Vinyl Single]

Celebrating the 25th anniversary of R.E.M.’s eleventh studio album, Up. This special pressing – replicating the original package – offers the newly remastered album across 2-LPs, pressed on 180-gram vinyl. The album features the singles "Daysleeper,” “Lotus,” “Suspicion” and “At My Most Beautiful.”

Mick Jenkins releases new single "Smoke Break-Dance" featuring JID, which arrives today alongside an Andre Muir-directed music video. Produced by Stoic, the song is the first taste of his forthcoming album The Patience that will arrive on November 10th via RBC Records/BMG. The Patience marks Jenkins' first full length release since 2021's Elephant in the Room.

Speaking about the album, Jenkins shares: 

The Patience: As best I can be, I am a person who does everything within his power to change his situation. I think with some level of consistency, that behavior inevitably leads you to a point where you have to wait. A point where the things that now need to happen to move you forward are no longer in your control. I see this as a period of time in one's journey, no matter the length, where the unseen things must take place; The muscles must tear and repair, the understanding of a concept coming to you in a moment completely devoid of artistic intention. It’s through these moments where I’ve found myself being the most frustrated with patience.

And this body of work sounds like that frustration.

The body of work reflects Jenkins' status as a young veteran in his craft. First breaking out with his 2014 mixtape The Water[s], he has established himself as one of the most dexterous contemporary lyricists over the course of 3 full length albums and 4 EPs since that mixtape's release. The Patience is the sound of an artist that is still young and at the full height of their artistic powers, wizened by the years spent grinding to reach this point, but eager to prove their continued vitality. The result is Jenkins' most urgent artistic statement since his breakthrough.

aespa presents their fourth mini-album, featuring the title track `Drama' with its powerful track loop and captivating hook. This album showcases aespa's vocal growth with a variety of genres including charismatic hip-hop, lovely bright dance music, and sweet acoustic pop. With this album, aespa brings a new chapter to their SMCU lore by writing stories on their own way through unique music and visuals - now breaking out from the trauma caused by a series of events with Season 1's `SYNK OUT' and `Hallucination Quest', and also the unknown anomalies in Season 2

Vinyl reissue of two of Isis' early EPs, packaged togeher in a 2LP set with new artwork

"LEFT" sees Helmet – comprising frontman Page Hamilton, drummer Kyle Stevenson, guitarist Dan Beeman, and bassist Dave Case – carve out a musical landscape that is taut, muscular, and direct. Hamilton’s lead guitar lines feel like everything from downed power lines arcing to exploding resistors in shortwave radios. On "LEFT" every snare crack hits like gunfire, every solo seemingly a manifestation of rabies-induced psychosis.

Guided by Hamilton alongside co-producers Jim Kaufman and Mark Renk, and mastered by Howie Weinberg, the 11 songs on the new album are leaner and meaner in their execution than previous aural throwdowns. "LEFT" is powered by unbridled determination, a renewed sense of purpose and a desire to create more new dialects within the musical language Hamilton invented via his use of drop-D tuning.

Echoes, Spaces, Lines collects Trans-Millenia Consort, Plot Zero, and Spectre, the first three albums by the late West Coast composer, healer, and medium Pauline Anna Strom. Exploring all corners of the multiverse through transpersonal form and freedom, Strom’s first three albums share a singular sensibility, different streams flowing from the same oracular font. Echoes, Spaces, Lines establishes Strom’s rightful place in the canon of great synthesists. Restored and mixed from the original reels by Marta Salogni, newly remastered, and adding Oceans of Tears, a fully realized but previously unreleased album exclusive to this box set, these are the first official reissues and the definitive encapsulation of Pauline Anna Strom’s prolific and visionary early work. These four-disc LP and CD box sets include 12 and 16 page booklet containing liner notes, an unearthed interview with Strom, and unseen ephemera.

Daneshevskaya (Dawn-eh-shev-sky-uh), the project of New York’s Anna Beckerman, writes songs steeped in the folklore of her own personal history. Her artist (and real middle) name comes from her Russian-Jewish great-grandmother, a person whose presence she has always felt although their paths never crossed in real life. Beckerman grew up in a musical family; her father is a music professor, her mother studied opera and her own songs often feel spiritual, less so by any religious connotation and more as a hymn-like, archival record of Beckerman’s own past, present and future.

This recording has never before been released or even bootlegged.  It captures the Jimi Hendrix Experience at a unique moment in their illustrious career.  Before a sold out audience of 17,000 people, the Experience overwhelmed an unsuspecting audience with a superb show that encompassed his renditions of songs by the Beatles, Bob Dylan, Howlin’ Wolf and Muddy Waters as well as signature songs such as “Purple Haze” and “The Wind Cries Mary”. Are You Experienced, the group’s debut album, had not yet been released by Jimi’s label Reprise. 

In the decade or so that hard-working New York quartet Sunwatchers have operated, the group has steadily & subtly refined their sound - a brain-blasting mixture of jazz, psychedelia, krautrock, punk, noise, & Saharan blues - into something that is avant-leaning enough to appeal to the discerning jazz & experimental music fan & weird & wooly enough to get the true heads’ toes tapping. Music Is Victory Over Time is the band’s 5th album, and fourth for Chicago-based Trouble In Mind Records, seeing the long-running lineup of Peter Kerlin (bass guitar), Jim McHugh (guitars), Jason Robira (drums), and Jeff Tobias (alto saxophone and keyboards) in prime form.

The album’s beguiling title stems from a note scrawled in a book about electronic music donated to PITGOOSE Prisoner Books, the grassroots prison literature program run out of The P.I.T. (aka Property Is Theft - McHugh’s Anarchist community space, venue and info-shop located in Los Sures, Williamsburg). Scrawled as marginalia modifying a paragraph about durational minimalist composition, the concept illuminates music’s material and spiritual power to subdue the sensation of the passage of time, both as an experiential phenomenon and as a creative, communal and socio-political force. McHugh says: “The notion resonated with the our individual and communal experiences of loss, trauma, stasis and frustration since 2020, our three-year semi-silence as a band relative to our previous characteristic prolificacy, and our progress, projects and evolution since.”

Album opener World People is a classic Sunwatchers number whose title expresses their Anarcho-Internationalist ideology (and the atypically multi-culti make up of their crowds), with an underlying melodic resonance to New Orleans funeral marches à la Albert Ayler — a triumphant call to arms to all peoples. Live fave Too Gary’s gang vocal shout punctuates a motorik rager named for a phrase often uttered by a badass eight year old skateboarder McHugh knew with a speech impediment (it means “that’s too scary”). T.A.S.C. (or “Theme For Anarchist Sports Center”) is inspired by Sonny Sharrock’s maligned 80’s output & sounds exactly like a wrathful, mutant version of a prime-time athletic show theme, replete with the requisite “sitcom ending.” The sun- scorched Foams - a longform piece intended to depict natural stuff like tides, nightfall, and time slowly passing, ancient, peaceful and slightly gross all at once - practically jumps out of the speakers, its palpable intensity crackling in your eardrums. The title of Tumulus’ might reference an ancient burial mound, but the music itself might be the group’s most high-tech song to date, complimented by an arpeggiating sequencer, three different forms of tape delay and an electric saxophone; ecstatic, fiery & deeply spiritual. There Goes Ol’ Ooze is a smoky creeper that lets Tobias & Kerlin take a walk for a while, with respectful nods to the Stones and Steve Reich. Song For The Gone closes out the album, showcasing a sincerely tender moment for the gang, written and recorded initially at McHugh’s home on Spanish guitar in 2020 (as an expression of love and resolve for dear friends who had recently, tragically died) its cascading, bluesy melody attuning itself to our own collective unconscious grief.

Having the distinct pleasure of being the first band to record in John Dwyer’s new LA-based recording studio Discount Mirrors (after Ohsees, who were literally loading out as the band loaded in), Music Is Victory Over Time boasts a beefed up sound. The band worked closely with in-house engineer Eric Bauer - facilitator, troubleshooter, sonic obsessive, a legendary freak and a DIY lifer. McHugh says “JPD would blast in and fuck with the board, interject ideas, tell stories, whip up a frenzy if we needed. We stayed in the adjacent room, lived on tacos and chocolate, overdubbed in sweatpants. All the right moves.” The band also had full access to the studio’s epic armory of gear: amps, axes (it’s Dwyer’s Eddie Harris model electric sax), synths, a bass guitar once belonging to Klaus Flouride of the Dead Kennedys. Crucial for the sounds and the vibe.

The album art was created by Josh MacPhee, the activist artist, author, archivist and founding member of both the radical artist collective Just Seeds and Interference Archive, a public collection of materials from social movements based in Brooklyn. MacPhee's participation in the project works as a statement of Sunwatchers' progressive utopian intentionality, and organically underscores their involvement in revolutionary projects within and without of their hometown.

Listening to Music Is Victory Over Time, Sunwatcher’s rebellious spirit & unbridled enthusiasm remain fully intact, but the secret sauce is their infectious irreverence in the face of the horrors of this world. Much of our best cultural commentary is Trojan-horsed to the general public via humor & satire & the band has a knack for lacing the ridiculous with the radical. It’s good to have them back.

JC Sanford follows up his two previous trio albums (Imminent Standards Vol. 1 & 2) with a decidedly different approach to the trio format. Featuring pianist Michael Cain and bassist Anthony Cox, New Past delves into Sanford’s diverse compositional style and improvisational approach. From collective improvisations to complex harmonic forms and grooves, the trio traverses a vast sonic and textural world of Sanford’s original compositions, with a smattering of interpretations of jazz standards.

Immerse yourself in the kaleidoscopic musical universe of Masha Ocean Quartet's new album, "Kaleidoscopic Realities". This mind-bending fusion of jazz, blues, classical music, soul, latin and other genres is a must-listen for fans of adventurous music. Featuring collaborations with renowned musicians such as Robin Banerjee and Daniel Torres, this album is a true sonic journey, taking listeners on a wild ride through different musical cultures and eras.

“I’m still learning how to experience joy, how to be free, how to be comfortable in my own skin,” says Jaime Wyatt. “A lot of us grow up feeling like we have to hide who we are just to be accepted, but that comes from a place of fear and judgment. I wrote these songs as a way of letting go of all that, as permission to feel good.”

Feel Good, Wyatt’s extraordinary new album, is more than just a permission slip, though: it’s an invitation. Recorded with Black Pumas’ Adrian Quesada, the record is bold and ecstatic, built on tight, intoxicating grooves that belie the songs’ substantial emotional stakes. Wyatt’s writing is raw and intuitive here, tapping into the deep recesses of her subconscious as she reckons with grief and growth, and her delivery is visceral to match, cutting straight to the bone with equal parts sensitivity and swagger. Taken as a whole, the collection stands as a radical act of creative liberation from an artist already known for pushing limits, a genre-defying work of healing and self-love that tips its cap to everything from Al Green and Otis Redding to Waylon Jennings and Bobbie Gentry in its relentless pursuit of peace and pleasure.

Celebrating the 15 Year Anniversary of The New Kids On The Block’s "The Block" with The Block Revisited, the original Boy Band collaborates with K-POP’s newest superstars to bring the Pop Event of 2023! “Dirty Dancing (Dem Jointz Remix)” unites the legendary pop icons together with JOSHUA, DK & DINO of SEVENTEEN with a fire remix by Grammy Award Winning Producer Dem Jointz.

Catch A Fire, the fifth studio album by Bob Marley & The Wailers, was included in Rolling Stone’s 500 Greatest Albums Of All Time. This 50th Anniversary Edition includes the studio album (LP1), Live at the Paris Theatre in London – previously only ever bootlegged (LP2), a bonus disc of alternate, extended and instrumental Jamaican tracks (LP3), plus a 12” single featuring 3 live tracks from the Sundown Theatre in Edmonton, with an etched image on the reverse side.

LOVE + POP is a snapshot of a moment in not-so-far-away time; something fast, loud, moody and a little dangerous. It is, in some ways, classic Current Joys: full of wild ambition, sneaky hooky, and songs that move from concept to completion with a prolific speed. But LOVE + POP also explodes myriad expectations with aggressive, deconstructed production, house music influence, and a guest appearance from Lil Yachty.

Personally curated by Johnny Marr, Spirit Power encompasses songs from across four widely acclaimed UK top ten solo albums 2013’s The Messenger, 2014’s Playland, 2018’s Call The Comet, 2022 double album Fever Dreams Pts 1-4), non-album single releases ‘Armatopia’, ‘The Priest’ (w/ Maxine Peake), two brand new songs, plus a cover version of Depeche Mode’s‘ I Feel You’, released for Record Store Day 2015 and revealing the degree to which Marr has found his métier as a vocalist of singular expressive power.

“I know where Dan Treacy Lives”
And so do you if you live in Baltimore
You may try to look them up neé Barrett, neé Clark 
But just ask the Postman, they reside under the name
The Smashing Times.

Known poets about town, Filthy mother nature’s sons, 
Called out for Tea Cozies and old wrinkled clothes, 
But put on ‘oh so well’- with Jangle and Verve
“the night belongs to poets and madmen “
Drinking cups of hot tea after a dance alone in the rain
A Tom Courtney Movie plays in the background.
Oh so surreal.

Cold War Kids have announced their 10th studio album, Cold War Kids, which will arrive on November 3 via AWAL. The band’s singer and songwriter Nathan Willett describes: " This is our self-titled record. Everybody gets one. This felt like the right time because the sound of this record is the sound that makes Cold War kids unlike any other. I’m so proud of these songs. They took a long time to come together. The longing and struggle and joy I wanted to express are personal to me and I am so excited to share it with our fans who have come with us on the journey.”

The epic tale of Cold War Kids has long been informed by deeply personal songcraft, enthusiastic experimentation, and an avowed commitment towards forward motion. The band continues their ascent, becoming one of the biggest rock bands of their generation amassing more than half a billion streams, consistently churning out alternative radio hits, selling out tours and headlining festivals worldwide. 

The band just wrapped a North American tour supporting Tears For Fears and will be going on their own headline tour at the top of 2024 with dates to follow. 

The Struts erupted onto the music scene with their behemoth anthem, “Could’ve Been Me,” introducing the world to their timeless rock sound. With their acclaimed debut Everybody Wants, the British rockers cemented their reputation as a must-see act bringing their energetic tracks alive on stage with larger-than-life performances. Their new album,Pretty Vicious, embodies that raw, raucous nature of their live shows, fusing their arena-size energy into their most honest and exciting songs to date.

Sum 41 celebrates 23 years with All The Good Sh** now available on vinyl for the first time! Originally released in 2009, this greatest hits compilation focuses on 14 hit singles from each of the band’s studio albums from 2001-2008.

Time Fades Away was the first live album released by Neil Young. He is backed on the album by The Stray Gators, the band who played on Harvest, and including the superb musicians Ben Keith, Jack Nitzsche, and Tim Drummond. David Crosby and Graham Nash are special guest musicians. The album followed the release of Young’s hugely successful album Harvest, and when it was released in 1973 it featured all previously unreleased songs. To commemorate the 50thanniversary of this album the track “The Last Trip To Tulsa” (originally released as a B-side to the 1973 single of “Time Fades Away”) has been added to the album. This limited-edition LP is pressed on clear vinyl.

Featuring remastered audio, taken from the ‘Chasing The Sun’ reissues - available for the first time as one collection - ‘The Masterplan’ is an extraordinary collection of B-sides originally featured on singles from Oasis’ era-defining first three albums, ‘Definitely Maybe’ (1994), ‘(What’s The Story) Morning Glory?’ (1995), and ‘Be Here Now’ (1997). Far from being inferior to the singles they backed, many of the 14 tracks that feature on ‘The Masterplan’ have become as cherished as the band’s biggest singles from that seminal period. The album includes tracks ‘Acquiesce’, ‘Half The World Away’, ‘Talk Tonight’, Oasis’ iconic live cover of The Beatles’ ‘I Am The Walrus’ and the epic title track. Noel has often described ‘The Masterplan’ as one of the best songs he has ever written. Formats include CD, Heavyweight Black LP and limited-edition Silver LP, to celebrate 25 years. ‘The Masterplan’ charted at No.2 in the UK Official Album Chart UK selling over 122,000 copies in its first week. It went on to be certified triple platinum and has sold over three million copies worldwide.

Roe Kapara‘s debut vinyl release on Epitaph Record brings the songs from his wildly successful 2023 digital release, i hope hell isn’t real ep, together with his catalog of singles from 2021- 2022.

“Nobody was born cool” proclaims Roe Kapara. “Where’s the fun in that?” After relocating from Nashville to Los Angeles just before the pan- demic, the St. Louis-born singer/songwriter did what any reasonable 20-something would: find solace online and build a community. Soon, his burgeoning digital fanbase hit six digits, enthralled by his endearingly unpretentious personality but also by his irresistible music, a modern swirl of indie, psych, dream pop, and alternative.

Dwelling on the death of his own past is a common theme through Kapara’s music, throughout a catalog of DIY singles like “Everyone’s Dying” and “Past Grow” that helped boost his streaming listeners into the 2 Millions and TikTok audience over 350,000 (with 5.8 Million likes.) But just as he’s willing to expose vulnerable parts of himself in his songs, he’s quick to shine the mirror outward to address the creeping dread of modern life: consumerism, corporate greed, climate change, the general feelings of the younger generation in 21st-century America.

Combining these two sides of his musical personality – deeply relatable yet unafraid to stand up and ask life’s big questions – into pop songs makes for a musical journey that’s a little off-kilter, sure, but all the better and more interesting in the end. 

For his first album as an exclusive Deutsche Grammophon artist, 2021 International Chopin Competition winner Bruce Liu has compiled an enthralling survey of 200 years of French keyboard music, from Baroque to modern. The phenomenal young Canadian pianist has subtly adjusted the action of his instrument to highlight the differing musical styles. The album’s title WAVES alludes not only to the nature theme that runs throughout the program, but also to the sheer spontaneity of Liu’s music-making.

Recorded in August 2003 at the Pageant in St. Louis, Missouri, Little Feat perform a career-spanning set including a couple from their (at the time) soon-to-be-released album, Kickin’ It At The Barn. The band is comprised of Paul Barrere (guitars, vocals), Sam Clayton (percussion, vocals), Kenny Gradney (bass), Richie Hayward (drums, vocals), Bill Payne (keyboards, vocals), Fred Tackett (guitar, trumpet) and Shaun Murphy (vocals, percussion). 2 CD/Blu-ray.

Big Big Love is the first single from the eponymous album that is a mantra for embracing humanity with kindness.  The single will be released in conjunction with the Michael Franti & Spearhead tour date celebrating a return to Red Rocks on June 2.  Franti announced the US Big Big Love tour on January 31 which launched May 13 and runs through August 20.

Michael Franti is a globally recognized musician, humanitarian, activist, and award-winning filmmaker revered for his  high-energy live shows, inspiring music, devotion to health and wellness, worldwide philanthropic efforts and the power of optimism.  Throughout his multi-decade career, Franti has earned three Billboard No. 1's with triumphantly hopeful hits "Sound of Sunshine," "Say Hey (I Love You)," and "I Got You," as well as sic Top 30 Hot AC singles, 10 Top 25 AAA singles and three Billboard Top 5 Rock Albums.  

Michael Franti & Spearhead continue to foster their community both on and off stage with a wish granting non-profit, Do It For The Love, founded by Franti and his wife, Sara.  Do It For The Love brings those with life threatening illnesses, veterans, and children with severe challenges to concerts worldwide, fulfilling over 3,300 wishes and touching the lives of over 12,000 people to date.  Franti also owns SOULSHINE Bali, a 32-room top-rated boutique retreat hotel located in Ubud, Bali.

Born out of reverence for their favorite bands and the need for an outlet to express personal influence, A Country Western out of Philadelphia finds themselves in the knotty crossroads of slowcore and shoegaze. As the group puts finishing touches on new music, they have brought their self-titled album AND debut EP Phenom (B Side) to vinyl format for the first time ever! This release encapsulates the earliest era of the band through home recordings with digital transposition and sample chopping.

Before These Crowded Streets is the third studio album by Grammy award-winning rock band, Dave Matthews Band. Originally released in spring of 1998, the album received both critical and commercial success. Dethroning the Titanic soundtrack, which sat atop the Billboard 200 for 16 consecutive weeks, Before These Crowded Streets was certified triple-platinum and began the band’s impressive streak of six No. 1 albums in a row. The LA Times said: On this album, the band places an even higher premium on musical proficiency. Songs such as “Rapunzel” and “The Stone” are built around vertiginous polyrhythms and serpentine riffs that dart around Matthew’s clenched vocals, yet always manage to lock into an enjoyable groove.

The band continues to play a majority of the songs from this album in their nightly sets while on tour as it’s been a favorite among fans for over two decades. The 25^th anniversary edition comes as a standard black 2LP vinyl with an exclusive new booklet featuring rare photos. Lacquers cut by Chris Bellman at Bernie Grundman Mastering.

The band's biggest strength is musically how they keep you on your toes. In The Pines continues to evolve with every record showcasing the depth in talent that this band has. Introducing “Painting By Numbers,” where In The Pines plug in their guitars and showcase their psychedelic prowess across these expansive Ten tracks. The amount of sound that In The Pines creates deep in these grooves are layered, hazy, and thick. With the guitar tone, reverb, and deep nuance in production this LP is great for a deep listen. Get this record on your turntable, and dig into Painting By Numbers.

Painting By Numbers, In The Pines’ upcoming release, was recorded at Futureappletree Studio Too by engineer Patrick Stolley. Produced by In The Pines, the group features Michael Shular (Guitar/Vocals), Charlie Horn (Guitar/Vocals), Alex Dungan (Drums/Vocals) and Patrick Zopff (Bass/Vocals). Recorded in two sessions throughout July 2021 and March 2022, this album is the first to feature the group's most recent member Peter Foley on synthesizers, and guest vocalist Eva Patterson on opening track “Threshold.” Mixed by Dalton Allison (Post Animal) and Patrick Stolley (Futureappletree Studio Too), PBN twists the group’s signature psychedelic sound into an atmosphere of fuzzy, distorted shoegaze. This album meticulously layers saccharine, philosophical vocals with heady guitar tones, steadfast yet varied bass lines, and powerful drums that frequently build into a shimmering wash of synthesizers.

Lyrically, each song on Painting By Numbers is searching and introspective, at times evoking religious imagery and frequently expressing a restless but determined sense of motion. For example, the song “Let It Slide” culminates the band repeating “I just can't seem to let it be” before a rush of instrumentals closes the song, and the album is replete with motifs of wheels, breezes, and doors discussed over thrumming, repetitive drum and bass lines. However, as choreographer Pina Bausch once said, “Repetition is not repetition…The same action makes you feel something completely different by the end.” This album is an incredible example of that effect, and each moment of repetition on Painting By Numbers is followed by a break in pattern that acts as a release of tension and masterfully articulates a fresh change in the album’s direction. 

In “Liquid Cure,” they croon of a lover being “lost in the grand design.” Such a statement is reminiscent of the experience of listening to this album, an ecstatic blur of shoegaze-y melodies which break down to reveal songs that are structural, detailed, and complex—a work of art painted by numbers. The result is an album that is spiritual, intoxicating, reflective, catchy, and surely In The Pines’ most nuanced work to date.

There was one irrepressible Chicago club act that refused to be replaced by any DJ’s sound system. Maxx Traxx (and Third Rail before them) were a scene unto themselves in the early 80s, happening live on-stage five-plus nights a week somewhere in the 312. Their two LPs, both recorded in 1982, are like catching a bullet train, a sheer energy ride almost too explosive to be captured by studio tape. And yet these two stone classics would remain unanswered by a city as it moved determinedly toward the motorik sound of house. Hop the turnstile and move with this complete document of Chicago’s last great club band told in detailed text, newly revealed photos, and complete studio recordings painstakingly remastered.

Timeless. Explosive. Romantic. Inspiring. How else to characterize Blue Electric Light, Lenny Kravitz’s 12th studio album? Kravitz’s mastery of deep-soul rock ‘n roll is a long-established fact. As a relentless creative force—musician, writer, producer, actor, author, designer—he continues to be a global dynamic presence throughout music, art and culture. Blue Electric Light is an impassioned suite of songs, that broadens this distinction and is the latest contribution of a man whose music—not to mention his singular style—continues to inspire millions the world over. On the album, Kravitz's talents as a writer, producer and multi-instrumentalist resonate as he wrote and played most of the instruments himself, with longtime guitarist Craig Ross. Lenny Kravitz has won four GRAMMY® Awards and sold 40 million worldwide. He was recently recognized by the CFDA with their “Fashion Icon Award” and was also selected as a 2023 Hollywood Walk of Fame inductee.

Originally released in 2012, ‘> album title goes here <’ is the sixth studio album by Canadian electronic music producer & composer deadmau5. The 13-track album features a handful of deadmau5’ biggest hits, including but not limited to: “The Veldt” with Chris James, “Professional Griefers” with Gerard Way of My Chemical Romance, “Channel 42” with Wolfgang Gartner, “Telemiscommunications” with Imogen  Heap, & more…

This album has reached peaks of success all over the world, with hitting #1 on Billboard’s U.S. Top Dance/Electronic Albums chart as well as the U.K. Dance Albums charts in 2012; ‘> album title goes here <’ also reached RIAA Gold certification, with over 40,000 units sold in Canada. 

Available for the first time ever on vinyl, this is ‘> album title goes here <’...

First compiled as a double CD in 2002, Moon’s Milk (in Four Phases) is a suite of four EPs that Coil released seasonally via their in-house Eskaton imprint across 1998. The line-up for these sessions were John Balance, Peter "Sleazy" Christopherson, Drew McDowall, and William Breeze. Recorded primarily at their home studio in Chiswick, London on the eve of a permanent relocation to the small seaside town of Weston-super-Mare, the collection has long loomed as a pivotal and pinnacle work in the group's discography, but has never been officially reissued, or repressed on vinyl. Time has only ripened its tapestry of regal strangeness.

Arranged sequentially in tribute to the equinoxes and solstices, Moon's Milk captures Coil at a revelatory crossroads, leaning deeper into improvisation, spontaneity, and sound design. "Moon's Milk or Under an Unquiet Skull" initiates the proceedings on Spring Equinox, a two-part netherworld organ séance woven from vocal drones, cathedral keys, seasick strings, and opiated undertow. From there, Summer Solstice skews lighter but no less incantational, with Balance embracing his voice-as-instrument across lucid dream torch songs ("Bee Stings"), purgatorial spoken word ("Glowworms/Waveforms"), sultry chamber pieces ("Summer Substructures"), and falsetto ravings ("A Warning From The Sun (For Fritz)").

Autumn Equinox exudes more of a pensive and twilit mood, from the Rose McDowall-sung neofolk ballad "Rosa Decidua" ("I hear your voice sing near to me / I've put away the poisoned chalice (for now) / And lie down amongst the flowerbeds") to hall-of-lords hallucination "The Auto-Asphyxiating Hierophant” to the liminal string-plucked classic "Amethyst Deceivers," featuring excellent alien guitar by Breeze layered with Balance’s oft-quoted couplet: "Pay your respects to the vultures / For they are your future."

The album’s final chapter, Winter Solstice, is its most swooning, remote, and ceremonial. Opener "A White Rainbow" stirs strings, layered choral vocals, and shivering rhythm into an imploding burial hymn. "North" oscillates bleakly, a ghost in the machine murmuring opaque prophecy ("This black dog has no owner / This black dog has no odour"), while "Magnetic North" is its inverse, a guided meditation of gently flickering software and surreal chakra poetics ("Red rose filling the skull / Yellow cube in the lower pelvis / Silver moon crescent below the navel"). The suite fades to grey with a traditional English carol ("Christmas Is Now Drawing Near"), rendered like an executioner's song by Rose McDowall’s doomed, beautiful voice.

The DAIS box set includes the entirety of the rare Moon's Milk Bonus Disc CD-R / 2019 Threshold Archives CD, which includes three collaborations with Thighpaulsandra. This material is as rich and intoxicating as the previous four phases, ranging from electro-acoustic singing bowl rituals ("Copal") to dissonant electronic recitations of visionary Angus Maclise poetry ("The Coppice Meat") to ominous classical melancholia ("Bankside"). Once again, Coil confirm the vastness of their confounding, infinite alchemy, explored and refined across decades of experimentation – both sonic and bodily. From post-industrial to post-everything, theirs is an art untethered, in the wilds of its own design.

10th Anniversary Expanded Deluxe Edition of The Marshall Mathers LP2. It features 11 bonus tracks, including B- sides and instrumentals. Originally released on November 5, 2013, the album serves as a sequel to The Marshall Mathers LP released in 2000. It features the singles “Berzerk,” “Survival,” “Rap God,” “Headlights” and “The Monster,” which reached #1 on the Billboard Hot 100. The album won Eminem a record sixth GRAMMY Award for Best Rap Album and is now certified 4x platinum. 4 LP set on 180g black vinyl.

Multiple GRAMMY® Award-winning musician and composer, Dhani Harrison, has announced the release of INNERSTANDING, his first solo album in six years. The new album will be available as a 2LP Neon Yellow color vinyl edition on February 9^th, 2024, via H.O.T. Records/BMG.

“Here we are in a new world and here is the new album that has come forth from it.” Dhani Harrison on his new album, INNERSTANDING.

Last week Harrison released the first track from the album, “Damn That Frequency”, which features Blur’s Graham Coxon on saxophone.  In addition to his appearance on that track, Coxon also features on guitar on four other songs on INNERSTANDING. The album also features guest appearances from Liela Moss from The Duke Spirit and critically acclaimed Australian singer Mereki. The album was produced by Harrison and co-mixed with GRAMMY® Award-winning producer Paul Hicks (The Beatles, Joe Strummer, The Rolling Stones).

RSD Essential 052 -The Beach Boys’ iconic 1966 album, Pet Sounds, is universally hailed as one of popular music’s most important recordings of all time.  This very special pressing comes to you on Coke Bottle Clear vinyl. Pet Sounds is remastered in Stereo with faithfully replicated original artwork.

20th anniversary album of all new material, including a new original song, by globally renowned classical crossover group Il Divo. First album with new member Steven LaBrie, after the passing of founding member Carlos Marin in 2020.

Il Divo takes flight in 2024 with their 10th full-length album, “XX.” Once again, they leap forward creatively, expanding the style and vision all at once.

“The album really has a sound to it,” Sébastien goes on. “It’s exciting to hear where we’re going. It’s Il Divo, but it’s the next chapter.”

“There’s something magical about how we did the tour in 2022, became close friends, and are making music together,” Steven elaborates. “It’s incredible.”

A new dawn for Il Divo begins now.

“For me, music is more than entertainment,” says David. “It separates humans from the rest of the animal kingdom. The human voice is capable of things that everyone in an audience can vibrationally relate to. We have all been through sadness and happiness. Il Divo translates extreme emotions into a modern experience of humanity. This isn’t background music. We’re vibrationally mirroring how you might feel and enabling catharsis to happen. We want this to continue as long as we can. As long as we have breath and are able to do what we do at the level we do it, that's all we want. We want to create windows of transformation for anybody who's willing to listen.”

“Everything we do is for the audience,” Sebastien states. “Carlos will always be in our hearts. We’re sharing as many moments of joy as we can on stage. It’s a gift when what we do connects with anybody. For us, it’s not about receiving, but about giving and being of service to others. There’s nothing more powerful.”

“After losing a brother and living through so much over 20 years, Il Divo and our music are not a smidge tired,” Urs leaves off. “Il Divo has not lost any bit of its right to exist, with its potential and possibility to make beautiful, emotive, strong, and very high quality music. These are the most important things to me—Il Divo is here after 20 years, and Il Divo is here to stay.”

Rock juggernaut Futurebirds’ newest release – a 22-track live compilation titled …Thanks Y’all – is a benchmark that not only celebrates 14 years together, it’s also a testament to the sheer iron will of a group of musicians hungry for the fruits of its labor.

The Athens, Georgia-based group once again teamed up with storied My Morning Jacket guitarist/producer Carl Broemel for the latest chapter of a seamless, bountiful partnership that initially came to fruition with the 2021 EP, Bloomin’, and was followed up with the 2022 EP, Bloomin’ Too.

Recorded over 9 shows in February of 2023, the live compilation finds the “Carlbirds” firing on all cylinders, with the best highlights captured for posterity on …Thanks Y’all. The album delivers the sound and energy of the live concert experience, as though the listener were standing dead center in the raucous crowd.

Singer/guitarist Daniel Womack says, “We're long overdue for a live release and feel super lucky to have one of our mentors quarterbacking the project. Carl takes us to another level and I think the stoke translates well in these versions" Scheduled for a December 1st digital release, …Thanks Y’all will also be available as a 3-LP vinyl set on February 9, 2024.

Kali Malone’s anticipated new album “All Life Long” is a collection of music for pipe organ, choir, and brass quintet composed by Kali Malone, 2020 - 2023. Choral music performed by Macadam Ensemble and conducted by Etienne Ferschaud at Chapelle Notre-Dame-de-L’Immaculée-Conception in Nantes. Brass quintet music performed by Anima Brass at The Bunker Studio in New York City. Organ music performed by Kali Malone and Stephen O’Malley on the historical meantone tempered pipe organs at Église Saint-François in Lausanne, Orgelpark in Amsterdam, and Malmö Konstmuseum in Sweden.

Kali Malone composes with a rare clarity of vision. Her music is patient and focused, built on a foundation of evolving harmonic cycles that draw out latent emotional resonances. Time is a crucial factor: letting go of expectations of duration and breadth offers a chance to find a space of reflection and contemplation. In her hands, experimental reinterpretations of centuries-old polyphonic compositional methods become portals to new ways of perceiving sound, structure, and introspection. Though awe-inspiring in scope, the most remarkable thing about Malone’s music is the intimacy stirred by the close listening it encourages.

Malone’s new album All Life Long, created between 2020 - 2023, presents her first compositions for organ since 2019’s breakthrough album The Sacrificial Code alongside interrelated pieces for voice and brass performed by Macadam Ensemble and Anima Brass. Over the course of twelve pieces, harmonic themes and patterns recur, presented in altered forms and for varied instrumentation. They emerge and reemerge like echoes of their former selves, making the familiar uncanny. Propelled by lungs and breath rather than bellows and oscillators, Malone’s compositions for choir and brass take on expressive qualities that complicate the austerity that has defined her work, introducing lyricism and the beauty of human fallibility into music that has been driven by mechanical processes. At the same time, the works for organ, performed by Malone with additional accompaniment by Stephen O’Malley on four different organs dating from the 15th to 17th centuries, underscore the mighty, spectral power that those rigorous operations can achieve.

All Life Long simmers in an ever-shifting tension between repetition and variation. The pieces for brass, organ, and voice are alternated asymmetrically, providing nearly continuous timbral fluctuation across its 78-minute runtime even as thematic material reiterates. Each composition’s internal framework of fractal pattern permutations has the paradoxical effect of creating anticipated keystone moments of dramatic reverie and lulling the listener into believing in an illusory endlessness. On an even more granular level, the historical meantone tuning systems of each organ used, and the variable intonation of brass and voice, provide further points of emotional excavation within the harmony.

The titular composition “All Life Long” appears twice on the album, first as an extended canon for organ and again in the final quarter, compactly arranged for voice. In the latter, Malone pairs the music with “The Crying Water” by Arthur Symons, a poem steeped in language of mourning and eternity. For organ, “All Life Long” moves with a patient stateliness, the drama concentrated in moments when shifting tonalities generate and release dissonance and ecstasy. For voice, each word is saturated with feeling, the singers swooping gracefully downward to capture the melancholy of the narrator’s relationship to the timeless tears of the sea. “Passage Through The Spheres,” the album’s opening piece, contains lyrics in Italian pulled from Giorgio Agamban’s essay In Praise of Profanation. In it, Agamban defines profanation as, in part, the act of bringing back to communal, secular use that which has been segregated to the realm of the sacred, a process Malone enacts each time she performs on church organs.

This is not music of praise, or of spiritual revelation, but it is an artistic enactment of translating the indescribable. It carries the gravity of liturgical chant, and its fixation on the infinite, but draws its weight from the earthly realm of human experience. A music that draws the listener into the present moment where they can discover themselves within the interwoven musical patterns that can come to resemble the passage of days, weeks, years, a lifetime.

One of the leading lights in Europe’s experimental rock domain, The Pineapple Thief bring you their 14th album, It Leads to This, on February 9th 2024. The band features founding member Bruce Soord (guitar/vocals) plus Jon Sykes (bass/backing vocals), Gavin Harrison (drums/percussion) and Steve Kitch (keyboards). 

“The band was once described as a 'fucking nightmare' to be around, whilst we are lovely people we do embrace the chaos that comes with all of this so found it fitting to title our next album as such. The songs themselves mainly follow this theme but relate to all aspects of life. Lyrically, it is more of the same... no metaphorical meanings, no fantastical story telling, no pretentious bollocks.... Just tales of a life lived as it will always be.”

Orgōne is back in California and coming in hot with Chimera, a fire-breathing spectacle of psychedelic Afro-soul. Produced by Sergio Rios (Neal Francis, Say She She), Chimera is an electrifying, dream-like odyssey, tripping through the hazy swamps of New Orleans, weaving textures of entrancing voodoo soul, thrumming Afro-funk, and stoney psych-rock.

In Chimera, the heavy-hitting new LP from Orgōne, out February 9th, 2024 on 3 Palm Records, the Los Angeles-based outfit carves tough, gritty, infectious grooves into heady dance rhythms. Taking its name from a mythical beast with the head of a lion, the body of a goat, and the tail of a serpent, Chimeraconjures a state that is at once trance-like and heart-poundingly exciting.

The album opens like a heady puff of smoke in the face with “Hallowed Dreams,” drawing the listener into a state where reality blurs and the music takes control. The focus track, “Zum Zum,” is a hooky Afro-funk dance floor heater that synchronizes your heart rate to its propulsive percussion, the hypnotic rhythm building into a raucous, psychedelic climax. On the raw and rousing “Tula Muisi (Dance Like Them),” a tapestry of Afrobeat and heavy psych-rock bolsters the singer calls for unity and respect, which translates to “Hear the music, and dance like them.”

Known for their gripping instrumentals and incendiary live show, the band is firing on all cylinders and the earned confidence of this time-tested, cult-favorite crew is on display throughout Chimera.

From its inception, Orgōne has always been a chimera — a multifaceted creation and the physical manifestation of impossible quixotic dreams. Chimera will delight fans of early Orgōne while showcasing the band’s effortless and endless ability to shape-shift. It’s an electrifying, mesmerizing record sure to exceed expectations and keep the listener rapt.

"Easy, easy..." Only Sea Power could turn a football chant into an artwork with... ease. From this bounding refrain of No Lucifer, via Waving Flags' serenity, the balm-like No Need To Cry and the joyous Trip Out, 2008 album Do You Like Rock Music? reflects the band's ability to find glacial beauty in the commonplace, making soul-stirring epiphanies an everyday occurrence. Expanded for its 15th anniversary with sessions and B-sides, this kaleidoscopic record encapsulates Sea Power's true heart.

The 15th anniversary reissue of Sea Power’s Mercury nominated album, Do You Like Rock Music? is released on Feb 9, 2024. The band are celebrating the reissue with a string of dates in the UK playing the album through in its entirety.

The limited-edition LP is housed in gatefold glow in the dark sleeve with orange vinyl & a picture disc, plus sleeve notes written by Roy Wilkinson.