Formats and Editions
1. Percussion Quartet: I. -
2. Percussion Quartet: II. -
3. Percussion Quartet: III. -
4. Percussion Quartet: IV. -
5. Metamorphosis No. 1 (Arr. S. Connors, R. Dillion, P. Martin & D. Skidmore For Percussion Ensemble)
6. Perspective: I. Paradigm
7. Perspective: II. Obscure
8. Perspective: III. Derivative
9. Perspective: IV. Fourth Perspective
10. Perspective: V. Dissonance
11. Perspective: VI. Duality
12. Perspective: VII. Embryo
13. Rubix: I. Go
14. Rubix: II. Play
15. Rubix: III. Still
More Info:
Grammy Award-winning Third Coast Percussion, whose artistry blends "creative fearlessness with reverent precision" (BBC Music Magazine), offers an album of enterprising collaborations and world-premiere recordings of works written or arranged expressly for the Chicago-based percussion quartet, representing four different approaches to composing concert music. Danny Elfman's Percussion Quartet, structured like a four-movement symphony, shares distinctive traits heard in his Grammy-winning, Oscar-nominated films scores, as well as hints of African balofon, Indonesian gamelan, and Shostakovich. Great admirers of composer Philip Glass, Third Coast arranged Glass's solo piano Metamorphosis No. 1 for marimba, vibraphone, glockenspiel, and melodica. Rubix emerged from Third Coast Percussion's improvisational collaboration with virtuosic, cutting-edge flute duo Flutronix, who also perform on the recording. Critically acclaimed electronic musician and composer Jlin (Jerrilynn Patton) composed her seven-movement Perspective as electronic tracks, without music notation. Third Coast transformed this work of "beautiful complexity" into a version they could perform live as a quartet.