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B茅la Bart贸k's monumental Mikrokosmos, containing 153 mainly short "progressive" piano pieces composed between 1932 and 1939, is both a very special piano method and a collection of wonderfully original performance pieces (the series actually contains almost the complete piano music by Bart贸k from the 1930s). Finally, it is also a detailed introduction to different aspects of his compositional style. With Mikro-kosmos, Bart贸k, who was generally reluctant to teach composition, created a veritable method of composition. A series of short piano pieces for the 1913 Piano Method jointly authored by Bart贸k and S谩ndor Reschofsky and published by R贸zsa- v枚lgyi in Budapest is the most immediate precursor of Bart贸k's magnum opus, the six-volume Mikrokosmos. In 1913, the composer's basic endeavor was to help produce a true modern piano school, in which all performance pieces and some easy exercises made up Bart贸k's contribution. The 48 little pieces by Bart贸k included five-finger exercises, easy contrapuntal pieces, occasional essays in different styles as well as a range of character pieces.
B茅la Bart贸k's monumental Mikrokosmos, containing 153 mainly short "progressive" piano pieces composed between 1932 and 1939, is both a very special piano method and a collection of wonderfully original performance pieces (the series actually contains almost the complete piano music by Bart贸k from the 1930s). Finally, it is also a detailed introduction to different aspects of his compositional style. With Mikro-kosmos, Bart贸k, who was generally reluctant to teach composition, created a veritable method of composition. A series of short piano pieces for the 1913 Piano Method jointly authored by Bart贸k and S谩ndor Reschofsky and published by R贸zsa- v枚lgyi in Budapest is the most immediate precursor of Bart贸k's magnum opus, the six-volume Mikrokosmos. In 1913, the composer's basic endeavor was to help produce a true modern piano school, in which all performance pieces and some easy exercises made up Bart贸k's contribution. The 48 little pieces by Bart贸k included five-finger exercises, easy contrapuntal pieces, occasional essays in different styles as well as a range of character pieces.
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B茅la Bart贸k's monumental Mikrokosmos, containing 153 mainly short "progressive" piano pieces composed between 1932 and 1939, is both a very special piano method and a collection of wonderfully original performance pieces (the series actually contains almost the complete piano music by Bart贸k from the 1930s). Finally, it is also a detailed introduction to different aspects of his compositional style. With Mikro-kosmos, Bart贸k, who was generally reluctant to teach composition, created a veritable method of composition. A series of short piano pieces for the 1913 Piano Method jointly authored by Bart贸k and S谩ndor Reschofsky and published by R贸zsa- v枚lgyi in Budapest is the most immediate precursor of Bart贸k's magnum opus, the six-volume Mikrokosmos. In 1913, the composer's basic endeavor was to help produce a true modern piano school, in which all performance pieces and some easy exercises made up Bart贸k's contribution. The 48 little pieces by Bart贸k included five-finger exercises, easy contrapuntal pieces, occasional essays in different styles as well as a range of character pieces.
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